The enormous number of the figures in the Parthenon, probably exceeding 500, of which 50 were colossal, and the size and complexity of the Athene, which was of gold, ivory, wood, and precious stones, standing 40 feet in height, make it impossible that these vast works could have been executed by the hand of a single artist. But Phidias is universally spoken of as the designer and presiding genius of the entire decoration; and, although some of the metopes are probably of an earlier school, the colossal groups of the pediments and the whole of the frieze have the stamp of one master mind.
While studying at the Academy of Ancient Art in the Medici Palace, Michelangelo not only developed his genius as a sculptor, but also excited the wrath of his rival, Torregiano, who struck him with a mallet, crushing the nose on his face and disfiguring him for life.
Yoko Ono helped to define the Fluxus movement which emerged in New York in the 60's. Part Dada, part Bauhaus and part Zen, the new aesthetic presumed that all media and all artistic disciplines were fair game for combination and fusion. Fluxus objects and performances are characterized by minimalist but often expansive gestures which often contain heavy doses of burlesque.
The Yellow Christ is a painting by Paul Gauguin depicting the crucifixion. The bold outlines and flatness of the forms in this painting are typical of cloisonnism. Together with The Green Christ, it is also considered to be one of the key works of Symbolism.
In 2010, Vatican researcher Sabrina Sforza Galitzia deciphered a "mathematical and astrological" puzzle she believes to be hidden in da Vinci's famous painting of The Last Supper. According to her translation, da Vinci's message predicts an apocalyptic flood that will sweep the globe from March 21 to November 1, 4006.
"The Son of Man" came about from a friend's request for a self-portrait of Rene Magritte whose comment on it was that, "Everything we see hides another thing, we always want to see what is hidden by what we see." The painting depicts a man whose face is obscured by a piece of fruit.
Lysippus of Sicyon, in the Peloponnese, was a contemporary of Alexander the Great, who made him his court sculptor, decreeing that no one should paint his portrait but Apelles, and no one should make his statue but Lysippus. His works were all in bronze, and are said to have amounted to 1,500 in number. They represented Alexander and his generals in various characters, Hercules in many aspects, and celebrated athletes of the most naturalistic type.